'Hot on the heels of their second stunning 'Remixed' package, the Stanton Warriors are finally ready to drop their long, long, LONG-awaited collaboration with stone cold hip hop legend Big Daddy Kane, the frankly huge 'Get Wild'.

First heard in prototype form on the Warriors' award-winnng 'Stanton Sessions Vol 2' mix over two years ago, the track has since undergone something of a reworking to keep if fresh for the floors of 2008. And as if that wasn't enough, Dom and Mark have enlisted a suitably stellar cast of remixers to bring you a bumper 2x12" package with something for deejays of all persuasions...

First up is the boys' own 'Bounce Mix', which sees a steady, club-shaking beat unfurl with wicked switches and low-down 808 bass before cleverly working in melodic, 80s-inspired strings reminiscent of Metro Area and, of course, Kane's vocal. The mix then races through hyperactive synths and basswork before finishing in superb heads-down fashion, sure to both surprise and delight listeners in equal measure.

Taking things in a different direction entirely, The Nextmen lace up a thunderous halftime dubstep beat with atonal LFO'd bass and snatches of the original strings, before again dropping the vocal to devastating effect. Peaking through deft cut-up sections and speaker-punishing bass switches, this mix straddles any number of genres with ease - no less than you expect from these guys, really.

Next up, Deekline & Ed Solo show exactly why they're such hot property at the moment, fixing a fresh vocal sample to a crunchy, typically Miami-inspired beat, then pairing it with hip-wiggling synth hits. The mix keeps the bass-heavy vibe throughout, but with enough change-ups and drops to keep the floor locked all the way to the outro.

Finally, the inimitable Bassbin Twins deliver a mix best described as 'truly unique'. A rolling old-skool break and menacing percussion introduces proceedings, before the bass drops and all hell breaks loose. With a beat riding somewhere between breaks and dubstep and some of the toughest production around, this remix pulverises the floor until a brief respite arrives via the form of a slowed-down, hip-hop breakdown. Deploying the vocals over a beat Timbaland would be proud of, the mix then switches back to full speed once more and carries us home in breathless fashion.

This is one of the biggest tracks, vocalists and remix packages of 2008 - don't sleep!'

Big & Heavy!